Following the successful premiere of the drama miniseries "Liberame - Nach dem Sturm" and its well-received television screening, Tim and I decided to continue our collaboration on future projects. Our musical partnership had developed its unique character, and we genuinely enjoyed the creative process, making it a logical step to maintain the momentum.

With several upcoming projects on our plate, one particular opportunity held personal significance for Tim. We were tasked with composing the music for the second season of the sitcom "MAPA," a series for which Tim had previously provided the score for its first season. Our established creative process allowed us to dive into the story's core and conceptualize its sonic identity. We aimed to offer thematic ideas to the director even before a single frame was filmed. Immersing ourselves in the script and engaging in discussions with director Jano Ben Chaabane, we embarked on our creative journey.

For this project, Tim took the lead, steering us toward a more organic sound compared to our previous collaboration. While experimenting with my Strat and GuitarViol one day, I stumbled upon a theme. When I shared it with Tim the following day, he embraced it enthusiastically. This led to the exploration of multiple iterations of the theme in various styles, resulting in five alternative versions that would serve as our creative palette.

Subsequently, we meticulously crafted a total of 14 distinct musical layouts. These compositions provided the editor with a rich tapestry of options to synchronize with the visuals, minimizing the need for temporary music placeholders during the editing process.