Der Wien-Krimi - Blind ermittelt: Tod im Kaffeehaus (2024)
Directed by: David Nawrath
Script: David Nawrath, Paul Florian Müller
DoP: Tobias von dem Borne
Edit: Robert Sterna
Production: Mona Film Produktion GmbH, Tivoli Film Produktion GmbH in cooperation with ARD Degeto Film GmbH
This project came to me through my friend and editor, Robert Sterna—shout out to him! We had previously worked together on Schneeflöckchen and a few other projects, so there was already a great rapport. After a brief video call with the director, David Nawrath, we immediately clicked. His musical influences ranged from Korean film scores to minimalist orchestral music with a light comedic touch. Since this film was a mix of crime and comedy, we had to keep that balance in mind when composing the soundtrack.
We started by creating a batch of musical layouts to share with the director for feedback. Out of ten initial sketches, four stood out as aligning with his vision. Unlike other projects, we decided to wait for some edited scenes before diving fully into composition.
During the process, I found myself designing sounds and structures that challenged my usual approach. Stepping outside my comfort zone helped me grow as a composer and expand my creative toolkit.
By the end of the project, we had developed a unique sonic universe and a set of evolving themes that carried the film’s story forward.
Collaborating with Robert—an incredibly talented editor—and David—a director with a clear vision and admirable professionalism—was a rewarding experience. I walked away with valuable lessons that continue to shape my work in every project I am fortunate to be part of.